Sina Queyras

if you open your mouth, ache.


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April Readings

I’m on the move in April. Hope to see you at one of these events.

BROOKLYN
April 14th, 7pm
Brooklyn Public Library
with Tonya Foster & Erica Hunt
10 Grand Army Plz,Brooklyn
Belladonna* Collaborative

YALE
April 16th 8pm
The Graduate Poetry Reading Series: Yale
Linsly-Chittenden Hall (LC), LC 319
63 High St.
New Haven, CT 06511


NEW YORK
Friday April 17th 

7:30-9:30 pm
Jack 505 1/2 Waverly Ave Brooklyn, 11238
Join UDP and Coach House Books for a reading with Ken Babstock, Corina Copp, Ben Fama, and Sina Queyras at JACK in Clinton Hill, Brooklyn. Following the reading, there will be a conversation with the poets, moderated by Mónica de la Torre and Robert Fitterman.

TORONTO 
Sunday, April 19th
7pm
Type Books, Toronto
Poetry night with Coach House Books & Ugly Duckling Presse
Two independent presses join forces and talk poetry – join UDP and CHB for a reading and conversation with Ken Babstock, Corina Copp, Ben Fama, and Sina Queyras at Type Books (Queen W.) in Toronto. Kyle Buckley will host.

BERKELEY
Friday, April 24th, 3-5
Berkeley Poetry Colloquium
330 Wheeler Hall
University of California, Berkeley

OAKLAND
Saturday, April 25th  8:00pm
Sina Queyras, Evelyn Reilly & Maisha Quint
in the Oakland Omni Collective Building
4799 Shattuck Avenue


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Reviews, Reviews, Reviews

I am rich in reviews and so thankful for the close reading! The Bullcalf, Arc Magazine and The Kenyon Review. Ben Purkert makes a case for the elegy as selfie. Not what I intended, but he makes a compelling case.

Not all elegies, however, are necessarily selfless. Some are self-addressed. Sina Queyras’s M x T (Coach House Books, 2014) levels with the reader: “There will be no one to write an elegy for me and so I am writing my own now, I want you to keep up with me. I want you to feel the way the wind holds a bird.” Written in response to a series of deaths in the poet’s immediate family, M x T is a work of deep despair. Overwhelmed with mourning (“Water, water everywhere, my dead ones…”), Queyras confronts her sorrow with intense interiority: “I am not interested in what Bourdieu, or Kristeva, has to say about grief…. I don’t want a theory; I want the poem inside me. I want the poem to unfurl like a thousand monks chanting inside me. I want the poem to skewer me, to catapult me into the clouds.” With titles like “Sylvia Plath’s Elegy for Sylvia Plath,” M x T turns the mechanism of elegy on itself.

Read the entire review here. Also read Jessi MacEachern and Stephen Brockwell who ask some compelling questions. Thanks to everyone. An honor.


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Elska mína

mom and dad thompson

 

NewPoetry

Sina Queyras

You created me, you should remember me; leaned your face into the canto of
…..my birth and broke air with me, breathed your best, your unrest
Into me even as you bled, and my father—a taut shock of muscle—caught me
…..as an Eagle takes a trout.
It was a rave, mother, a real wave and blue, a sprig of fur the three of us in our
…..first Pas de trois. You chewed the cord as he yanked,
Before that I was locked in the dashboard with Patsy Cline while you two
…..hurled and ducked. You bore me,
You should recall the blood you gave me, breathed your discontent, your
…..troubling, joyous, mysterious, unquenchable thirst for
Life in me: you shock of blonde, rare as Marilyn, a knubbly shudder of hose and
…..Almond Nougat
An edible parchment, a scroll so naïve, with such…

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Fall Dates: Montreal, Vancouver & Toronto

Montreal: Atwater Library

Friday, October 17:
Sina Queyras and Ken Babstock

Vancouver Writers Festival

Friday, October 24,
Waterfront Theatre, 10:00AM,
Pure Poetry
Kris Demeanor, Eve Joseph, Anne Kennedy, Christopher Levenson, Sina Queyras, Katherena Vermette

Saturday, October 25
Performance Works, 8:00PM
Poetry Bash:
Ken Babstock,George Elliott Clarke, Billeh Nickerson, Sina Queyras, Katherena Vermette, Patricia Young

Sunday, October 26
Waterfront Theatre, 1:30PM
 Michael Crummey, Aislinn Hunter, Billeh Nickerson, Sina Queyras

IFOA, Toronto 

Wednesday, October 29, 2014, 7:30 PM
Reading: Esther Freud, Steven Galloway, Sina Queyras, Marcel Theroux

—————-

Thursday, October 30, 2014, 7:30 PM
Round Table: Emily Gould, Emily Lindin, Anna Todd & Sina Queyras, hosted by Mark Medley.*

*Note the title of this panel has changed since last week! Same time, completely different panel.


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Twitter Reviews of MxT


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MRB on MxT

Thanks to Bert Almon for the love.

The great strength of the book is not in the apparatus – circuit diagrams, tutelary figures – but in the texture. Queyras employs many forms: prose poems, poems in stanzas, representations of postcards, aphorisms (“All mature poets understand the need for dry wood chips”), found poems, concrete poetry. The tour de force is “Elegy Written in a City Cemetery”: each of its 53 lines paraphrases another poet’s elegy and has a footnote. The sources are extraordinarily wide-ranging, from Tibullus to Coleridge to some of the author’s contemporaries, and she clearly knows the elegiac tradition. Queyras alludes to Anne Carson, whose Nox is also an elegy for a sibling, and one of the most ambitious works of our time. “Anne Carson is a footnote in the biography of death. Few of us get a mention,” she writes. Queyras does deserve her own footnote in the tradition of elegy for this ambitious and moving book.

Read the entire review here.