Sina Queyras

if you open your mouth, ache.

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On Not Winning

Olive Senior, Fraser Nixon, myself, Alexi Zentner

On Not Winning
The art of losing isn’t hard to master. Is it? Is it easy to face the losses? The defeats? The nominations?  Or worse, lack of nomination and defeat? Let’s face it, we live in the era of the big prize. It’s how we tend to argue for the value of what we love. We prize it. And that, my friends, makes the creative life difficult. Continue reading

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Thanks Publishers Weekly

Not quite a vote of support, alas, but very grateful nonetheless. Thank you for reading, PW.

Autobiography of Childhood
Sina Queyras. Coach House (Consortium, dist.), $17.95 trade paper (200p) ISBN 978-1-55245-252-3
Death has ruled over the Combal family for generations. Now Therese Combal–living in Vancouver and dying of cancer–is in her last days, and it’s her family’s reactions to her impending passing that are the focus of Canadian poet Queyras’s first novel. Each relative has one turn on stage: sister Guddy, an academic, leaves her partner, Sara, in New York City and flies west to say goodbye. Brother Jerry, married twice and virtually forgotten, would rather not hear the news. Bjarne senses something is wrong, but his schizophrenic neuroses prevent him from engaging with reality. Even Jean, Therese’s father, has a chance to muse from beyond the grave. But it’s the family matriarch, Adel, who provides the narrative’s tension–she is “irritating,” “visceral,” and “embarrassing–” and, though she has “burned all her bridges,” she’s the glue that holds the Combals together, at least in mutual frustration and hatred. Queyras (Expressway) has a lyrical eye (“linoleum curls like tulip leaves” and the air is “so fresh it’s like biting into an apple still hanging from the tree”)… (May)
Reviewed on: 06/25/2012